Bibliographie des études relatives à Anthony Ashley Cooper, troisième Comte de Shaftesbury (1671-1713)


Cette bibliographie n'est pas commentée et est limitée à la littérature secondaire (ouvrages et articles).
Extensive but unannotated bibliography of secondary works (monographs and articles).

Je remercie Paola Zanardi (Université de Ferrare), Emanuele Rossini (Università Statale di Milano), Anna Wessely (Eotvos Lorand University, Budapest), Richard Glauser (Université de Neuchâtel) et Lawrence E. Klein (Cambridge University) de leurs suggestions.

Shaftesbury: Selected Bibliography, qui comprend la littérature primaire et un choix de littérature secondaire.

 

 

1. Ouvrages et recueils / monographs and collections


Albersmeyer-Bingen H., Common Sense. Ein Beitrag zur Wissensoziologie, Berlin et Münich, Duncker et Humblot, 1986.

Alderman W. E., The Influence of the Writings of the Third Earl of Shaftesbury on the Literature of the Eighteenth Century, manuscrit inédit, University of Wisconsin.

Almer T., Studier i Shaftesburys filosofi, thèse, Lund, Håkan Ohlssons Boktryckeri, 1939.

Andreu A. R., Shaftesbury : crisis de la civilización puritana, Valence, Universidad Politécnica de Valencia, Servicio de Publicaciones, 1998.

Autrey M., The Shaftesbury-Mandeville Debate and Its Influence in America, thèse, Wayne State University, 1965.

Bacharach A., Shaftesburys Optimismus und sein Verhältnis zum Leibnizschen, Strasbourg, Thanner, 1912.


Bandini L., Shaftesbury, etica e religione : la morale del sentimento, Bari, Laterza, 1930.

Barker Benfield G. J., The Culture of Sensibility : Sex and Society in Eighteenth-Century Britain, Chicago et Londres, University of Chicago Press, 1992.Barrell, Rex. A., Shaftesbury and 'Le Refuge Francais' - Correspondence, Lewiston, Edwin Mellen Press, 1989.
Baum, Angelika, Selbstgefühl und reflektierte Neigung. Ethik und Ästhetik bei Shaftesbury, Stuttgart, Frommann-Holzboog, 2001.

Beiser F. C., The Sovereignty of Reason : The Defense of Rationality in Early English Enlightenment, Princeton UP, 1996.

Benda W., Der Philosoph als literarischer Künstler. Esoterische und satirische Elemente bei Lord Shaftesbury, Erlangen-Nürnberg, 1982.

Bernstein J. A., Shaftesbury, Rousseau and Kant. An Introduction to the Conflict between Æsthetic and Moral Values in Modern Thought, Rutherford, Fairlegh Dickinson UP, 1980.

Bierens de Haan J. D., De Beteekenis van Shaftesbury in de Engelsche Ethiek, Utrecht, Beijers, 1891.

Bohling H., Eine humanistische
Version des Konsensus Gedankens bei Shaftesbury, thèse, Münich, 1973.

Brett R. L., The Third Earl of Shaftesbury : a Study in Eighteenth-Century Literary Theory, Londres, Hutchinson's University Library, 1951.
- La filosofía de Shaftesbury y la estética literaria del siglo XVIII, trad. Jack Rush, Córdoba
, Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba,1959.

Bristol J. R. M., The Nature and Function of the Moral Sense in the Ethical Philosophies of Shaftesbury and Hutcheson, thèse, University
of Toronto, 1970.

Brown K. L., Fleshing Out Economic Man : The Utilitarian Dilemma in Historical Perspective, thèse, University of Chicago, 1994.


Brugère F., Théorie de l'art et philosophie de la sociabilité selon Shaftesbury, Paris, Champion, 1999.

Brugère F. et Malherbe M. (éd.), Shaftesbury. Philosophie et politesse, Paris, Champion, 2000.

Bulckaen
D. (éd.), L'Enthousiasme dans le monde anglo-américain aux XVIIe et XVIIIe siècles, Publications de la Société d'Etudes anglo-américaines des XVIIe et XVIIIe siècles, 1991.

Burrows B. M., Shaftesbury and Cosmic Toryism: An Alternative World View, thèse, University of Oklahoma, 1973.
Carey, D., Travel narrative and the problem of human nature in Locke, Shaftesbury, and Hutcheson, thèse, Oxford University, 1993.

Carter A. L., Parallel themes and their Treatment in Schiller and Shaftesbury, thèse, University of Pennsylvania, 1919.

Cassirer E., Die Platonische Renaissance in England und die Schule von Cambridge, Studien der Bibliothek Warburg, Leipzig et Berlin, 1932.
- The Platonic Renaissance in England..., trad. J. Pettegrove, Londres, Nelson, 1953.

Caygill H., Art of Judgment, Oxford, Blackwell, 1989.Chaimovich F. S., Escrita e leitura - Técnica Pedagógica e Testemunho Filosófico na Obra de Shaftesbury, thèse, Université de Sao Paulo, 1998.


Champion J., The Pillars of Priestcraft Shaken : The Church of England and its Ennemies, 1660-1730, Cambridge UP, 1992.Courtines L. P., Bayle's Relation with England and the English, New York, Columbia UP, 1938.

Crispini F., L'opinione del bene. A. Shaftesbury tra ispirazioni antiche e ragione moderna, Morano, Naples, 1994.
- L'etica dei moderni. Shaftesbury e le ragioni della virtu, Roma, Donzelli, 2000. Appendice sur "Virtu e pieta : Shaftesbury e Vico".


Croce B., Shaftesbury in Italy, Cambridge, Bowes and Bowes, 1924.

Cunliffe C., The Third Earl of Shaftesbury : His Politics and Ideas, thèse, Oxford University, 1981.

Dalman J. F., Guds tilltal i det skäna : Anthony Ashley Cooper, den tredje earlens av Shaftesbury teologiska estetik, thèse, Uppsala, 1989.

Darwall S., The British Moralists and the Internal ‘Ought', Cambridge UP, 1995.

De Miranda M. L., The Moral, Social and Political Thought of the Third Earl of Shaftesbury, 1671-1713: Unbelief and Whig Republicanism in the Early Enlightenment, thèse, University of Cambridge, 1995.


Davidson J. W., A Study of Shaftesbury's 'Characteristics', thèse, University of Virginia, 1974.

Devakul N., Shaftesbury, Hutcheson, and Hume on the Theory of Taste, thèse, Boston College, 1982.

Dowling L., The Vulgarization of Art : the Victorians and Aesthetic Democracy, Charlottesville, UP of Virginia, 1996.


Domson C. A., Fatio de Duillier and the Prophets of London, New York, Arno Press, 1981.


Dykstal T., The Luxury of Skepticism. Politics, Philosophy and Dialogue in the English Public Sphere, 1660-1740,Charlottesville et Londres, UP of Virginia, 2001.

Eckel, L. A., Critique of the Moral System of Shaftesbury from Thomistic Principles, thèse, Université de Miami, 1952.

Elson Ch., Wieland and Shaftesbury, New York, UP, 1913, reprint New York, AMS press, 1966.

Federhofer M.-T.,"Moi simple amateur" : Johann Heinrich Merck und der naturwissenschaftliche Dilettantismus im 18. Jahrhundert, Hanovre,Wehrhahn, 2001.

Fessender A. L., Shaftesbury and Diderot. A Study in Interconnectedness, thèse, Columbia University, 1971.

Filonowicz J. D., Natural Affection in Shaftesbury's 'An Inquiry concerning Virtue, or Merit', thèse, Columbia University, 1985.
Fischer A., Shaftesbury esztetikaja es az esztetikai apriorizmus, Budapest, 1930.

Folkierski W.,
Ze studjów nad XVIII wiekiem. Estetyka Shaftesbury'ego; Diderot a Shaftesbury, Krakowie, Nakl. Akademji Umiejetnosci; skl. gl. w ksieg. G. Gebethnera, 1920 [L'Esthétique de Shaftesbury, Cracovie, 1920].
- Entre le classicisme et le romantisme, Cracovie, 1925 [reprint, Paris, Champion, 1969].

Formigari L., L'estetica del gusto del Settecento inglese, Florence, Sansoni, 1962.

Fowler T., Shaftesbury and Hutcheson, Londres, Sampson Low, Marston, Searle, and Rivington, 1882.


Frey B., Shaftesbury und Henry Fielding. Shaftesburys Ethik und Humorgedanke in Henry Fieldings komischen Epos, Berne, Arnaud, 1952.


Fries T., Dialog der Aufklärung. Shaftesbury, Rousseau, Solger, Tübingen, Francke, 1993.


Fumaroli M., La Diplomatie de l'esprit. De Montaigne à La Fontaine, Paris, Hermann, 1994.


Garin E., L'Illuminismo Inglese : I Moralisti, Milan, Fratelli Bocca, 1942.

Gatti A., Inglesi a Napoli nel viceregno austriaco : Joseph Addison, Lord Shaftesbury, George Berkeley, préface de M. Torrini, Naples, Vivarium, 2000.

George S., Der Naturbegriff bei Shaftesbury, thèse, Francfort, Johann Wolfgang Goethe-Universität, 1962.


Gibson J. M., Anthony Ashley Cooper, Third Earl of Shaftesbury : Aesthetic Theory and its Implications for Skepticism and a Doctrine of Wit, Humor, and Ridicule, thèse, University of California, San Diego, 1974.

Giuliodori R., La concezione estetica di Shaftesbury e l'arte del suo tempo, thèse, Milan, Istituto Universitario di Lingue Moderne, 1992.

Giuntini C., Toland e i liberi pensatori del '700, Florence, Sansoni, 1974.

Gizycki G. von, Die Philosophie Shaftesburys, Leipzig et Heidelberg, C. F. Winter, 1876.

Gold A. Jr, The Weaker Argument: Shaftesbury's Theory of the Comic Imagination, thèse, Stanford University, 1973.

Grean S., Shaftesbury's Philosophy of Religion and Ethics : a Study in Enthusiasm, Athens, Ohio UP, 1967.

Griffith S. M., Anthony Ashley Cooper, third Earl of Shaftesbury, and the 'Inward Colloquy', thèse, University of Sheffield, 1978
.

Grossklaus D., Natürliche Religion und aufgeklärte Gesellschaft : Shaftesburys Verhältnis zu den Cambridge Platonists, Heidelberg, Winter Verlag, 2000.


Grudsinski H., Shaftesburys Einfluss auf Chr. M. Wieland, Stuttgart, Metzler, 1913.
Reproduction sur demande : Ann Arbor et Londres, University Microfilms Internat., 1980.

Hager F.-P., Aufklärung, Platonismus und Bildung bei Shaftesbury, Berne, Haupt, 1993.

Harrison J. F., The Moral and Political Philosophy of Anthony Ashley Cooper, Third Earl of Shaftesbury, 1671-1713, thèse, Durham University, 1970.

Hefelbower S. G., The Relation of John Locke to English Deism, Chicago UP, 1918.


Heyd M., "Be Sober and Reasonable". The Critique of Enthusiasm in the Seventeenth and Early Eighteenth Centuries, Leiden, Brill, 1995.

Hubbard L. A., Fielding's Ethics Viewed in Relation to Shaftesbury's Characteristics, thèse, University of California, Berkeley, 1933.

Klein L. E., Shaftesbury and the Culture of Politeness : Moral Discourse and Cultural Politics in Early 18th-Century England, Cambridge UP, 1994.


Kleist E. E., Judging Appearances. A Phenomenological Study of the Kantian Sensus Communis, Dordrecht, Kluwer, 2000.

Jaffro L., Ethique de la communication et art d'écrire. Shaftesbury et les Lumières anglaises, Paris, PUF, Fondements de la politique, 1998.
- (éd.)
Le Sens moral. Une histoire de la philosophie morale de Locke à Kant, Paris, PUF, Débats philosophiques, 2000.

Klingenspor F., Montaigne und Shaftesbury in ihrer praktischen Philosophie, Braunschweig, F. Bosse, 1908.


Kramnick I., Bolingbroke and his Circle, Cambridge, Mass., Harvard UP, 1968.

Kreutz C., Das Prometheussymbol in der Dichtung der englischen Romantik (1963), Gättingen, Vandenh. u. R., 1997.

Laird J., Philosophical Incursions into English Literature, New York, Russell & Russell, 1962. Larthomas J.-P., De Shaftesbury à Kant, Lille, Atelier National de Reproduction des Thèses, 1985.

Llorens Moreno N., Imaginación y experiencia en la teoría artística inglesa del siglo XVIII, thèse de doctorat, Bellaterra : Publicacions de la Universitat Autònoma de Barcelona, 1998.

Luoni F., Le dottrine del Peri hypsous e la concezione del sublime in Shaftesbury e Addison, thèse de laurea, Milano, Universita degli studi, 1989.

Lyons A., Shaftesbury's Ethical Principle of Adaptation to Universal Harmony, thèse, New York University, 1909.

Marce G., Shaftesbury's Language of Forms, thèse de M. A., Queen's University, Ontario, 1990.

Marsh R., Four Dialectical Theories of Poetry : an Aspect of English Neoclassical Criticism, Chicago UP, 1965.


Marshall D., The Figure of Theater : Shaftesbury, Defoe, Adam Smith, and George Eliot, New York, Columbia UP, 1986.


Martin J. J., Shaftesburys und Hutchesons Verhältnis zu Hume, Halle, C. A. Kæmmerer, 1905.

McVey E. D., Philosophy in Other Words: Shaftesbury's 'Characteristicks' and the Accommodation of Natural Law, thèse, Princeton University, 1969.

Meyer H., Limae Labor : Untersuchungen zur Textgenese und Druckgeschichte von Shaftesburys "The Moralists", Francfort, Peter Lang, 1978.


Micheletti M., "Animal capax religionis". Da Benjamin Whichcote a Shaftesbury, Pérouse, Benucci, 1984.

Miller, G., Untersuchungen über Ursprung und Funktion pädagogisch engagierter Philosophie am Beispiel Shaftesburys, thèse, Cologne, 1974 ; Bremen, 1975.


Mortensen P., Art in the Social Order : the Making of the Modern Conception of Art, Albany, State University of New York Press, 1997.


Müller H. R., Ästhesiologie der Bildung. Bildungstheoretische Rückblicke auf die Anthropologie der Sinne im 18. Jahrhundert, Würzburg, Känigshausen & Neumann, 1997.

Nicol-Badelon F., Le choix moral chez Shaftesbury, thèse de 3e cycle, Université Paris I, 1983.

Nicolson M. H., Mountain Gloom and Mountain Glory : The Development of the Aethetics of the Infinite, New York, Cornell UP, 1959.

Norton D. F., From Moral Sense to Common Sense : An Essay on the development of Scottish Common Sense Philosophy, 1700-1765, thèse, University of California, San Diego, 1966.

Osske I., Ganzheit, Unendlichkeit und Form. Studien zu Shaftesburys Naturbegriff, thèse, Berlin, 1939.

Paderon E. S. J., The Theory of the Moral Sense in Shaftesbury. An Approach to his Concepts of Virtue and Man, thèse, Fordham, 1972.

Paulson R., The Beautiful, Novel, and Strange : aesthetics and heterodoxy, Baltimore, Johns Hopkins UP, 1996.


Peisert P., Diderots ethische Anschauungen im Zusammenhang mit seinen allgemeinen philosoph. prinzipien und unter besonderer Berücksichtigung seiner Abhängigkeit von Shaftesbury, Berlin, W.-Schäneberg, 1912.

Pennekamp H., Die Idee des Wahren, Schänen, Guten in der pädagogischen Zielbildung, dargestellt an der Entwicklung von Shaftesbury bis Wilhelm von Humboldt, thèse, Cologne, 1929.

Pigeaud J. et Barbe J.-P. (éd.), Histoire de jardins : lieux et imaginaire, Paris, PUF, 2001.

Pienarr W. J. B., English Influences in Dutch Literature, and Justus Van Effen as Intermediary, Cambridge UP, 1929.

Portmann P. F., Die Deutschen Übersetzungen von Shaftesburys Soliloquy, thèse, Fribourg (Suisse), 1941.

Prince M., Philosophical Dialogue in the British Enlightenment. Theology, Aesthetics and the Novel, Cambridge UP, 1996.

Raming R., Skepsis als kritische Methode : Shaftesburys Konzept einer dialogischen Skepsis, Francfort, Peter Lang, 1996.


Redwood J. A., Reason, Ridicule and Religion : the Age of Enlightenment in England, 1660-1750, Londres, Thames and Hudson, 1976.


Reesink H. J., L'Angleterre et la littérature anglaise dans les trois plus anciens périodiques français en Hollande de 1684 à 1709, Paris, 1931 [reprint, Genève, Slatkine, 1971].


Rehorn F., Moral Sense und Moralprinzip bei Shaftesbury, thèse, Bonn, C. Georgi, 1882.

- Uber das Verhältnis Shaftesburys zu Lessings Laokoon, Francfort, 1886.

Relich M., The Technique of Philosophical Dialogue in the Works of Mandeville, Shaftesbury and Berkeley, , thèse, University of Edinburgh, 1976.

Rexroth I. K., Das Bild des Menschen in Shaftesburys Philosophie, thèse, Francfort, 1941.

Ribble F. G., Stoicism and Sensibility: Traditions of Morality in Shaftesbury and other Writers of the Eighteenth Century, thèse, University of Virginia, 1972.

Rivers I. , Reason, Grace, and Sentiment. A study of the language of religion and ethics in England, 1660-1780, vol. II, Shaftesbury to Hume, Cambridge UP, 2000.

Robbins C., The Eighteenth-Century Commonwealthman, Cambridge (Mass.), Harvard UP, 1959.

Robinson P. J., The Third Earl of Shaftesbury and the Socialisation of Philosophy, thèse, University of Edinburgh, 1978.

Santucci A., éd., Filosofia e cultura nel Settecento britannico, 2 vol., Bologne, Il Mulino, 2000.

Sayous E., Les Déistes anglais et le christianisme principalement depuis Toland jusqu'à Chubb (1696-1738), Paris, 1838.


Schings H. J., Melancholie und Aufklärung, Stuttgart, Metzler, 1977.


Schlegel D. B., Shaftesbury and the French Deists, Chapel Hill, University of North Carolina Press, 1956.


Schneewind J. B., The Invention of Autonomy, Cambridge UP, 1998.


Schönfeld V., Die Ethik Shaftesburys, Budapest, H. Heutschel, 1920.


Schov C. I., Shaftesbury : En introduktion til forkynderen af det 18. èºrhundredes humanisme, Copenhague, Kastalia, 1960.

Schrader W. H., Ethik und Anthropologie in der englischen Aufklärung. Der Wandel der Moral-Sense Theory von Shaftesbury bis Hume, Hambourg, F. Meiner, 1984.

Schmidt-Haberkamp B., Die Kunst der Kritik : zum Zusammenhang von Ethik und Ästhetik bei Shaftesbury, Münich, Fink, 2000.


Schwartz H., Knaves, Fools and Mad Men, and that Subtile Effluvium, Gainesville, University of Florida Press, 1978.

- The French Prophets. A Study of a Millenarian Group in Eighteenth-Century England, Berkeley, University of California Press, 1980.

Segerstedt T. T., Moral Sense-skolan och dess inflytande pâ svensk filosofi, Lund, 1937.

Selby S. F., Soliloquy, Colloquy, and Dialectic: the Rhetorical Strategies of Shaftesbury's 'Characteristics', thèse, University of California, Berkeley, 1982.

Siegfried G., Der Naturbegriff bei Shaftesbury, thèse, Francfort, 1962.

Spicker G., Die Philosophie des Grafen von Shaftesbury nebst Einleitung und Kritik über das Verhältniss der Religion zur Philosophie und der Philosophie zur Wissenschaft, Fribourg en B., Troemer, 1872.

Sternbeck H. W. A., Shaftesbury über Natur, Gott und Religion, Berlin, Die Post, 1904.

Sternberg G., Shaftesburys Æsthetik, thèse, Breslau, 1915.


Stettner L., Das Philosophische System Shaftesburys und Wielands Agathon, Halle, 1929 [reprint, Tübingen, Nimeyer, 1975].


Stürmer L., Der Begriff "Moral Sense" in der Philosophie Shaftesburys, Königsberg, R. Lankeit, 1928.


Sweetman J. E., Shaftesbury et la critique d'art, thèse, Londres, 1955.


Tave S. M., The Amiable Humorist, Chicago UP, 1960.


Taylor C., Sources of the Self. The Making of Modern Identity, Cambridge UP, 1989.


Thüme H., Beiträge zur Geschichte des Geniesbegriff in England, Halle, Kröber et Nietschmann, 1927.

Toole R. J., Virtue, God and Necessity, a Study of the Metaphysical Background of Shaftesbury 's Ethical Thought, thèse, State university of New York, Binghamton, 1976.

Torrey N. L., Voltaire and the English Deists, New Haven, Yale UP, 1930.


Townsend D., Hume's Aesthetic Sentiments, Londres, Routledge, 2001.

Tucker S. I., Enthusiasm : a Study in Semantic Change, Cambridge UP, 1972.


Tuveson E. L., The Imagination as a Means of Grace. Locke and the Æsthetics of Romanticism, Berkeley, University of California Press, 1960.


Uehlein F., Kosmos und Subjektivität. Lord Shaftesburys Philosophical Regimen, Fribourg, K. Alber, 1976.

Updyke, E. K., Shaftesbury : his influence on English poetry, 1710-1750, thèse, Université de Miami, 1934.

Vater P., Pope und Shaftesbury. Ein Beitrag zur Kenntnis des Dichters und des Philosophen..., Halle, E. Karras, 1897.

Venturi F., Jeunesse de Diderot, trad. J. Bertrand, Paris, 1939 [reprint, Genève, Slatkine, 1967].


Voitle R., The Third Earl of Shaftesbury, 1671-1713, Baton Rouge et Londres, Louisiana State University, 1984.

Waern L.M., Shaftesbury's dygdelära, thèse, Uppsala, 1875.


Walters G. B., The significance of Diderot's "Essay sur le mérite et la vertu", Chapel Hill, University of North Carolina Press, 1971.

Walzel O., Das Prometheussymbol von Shaftesbury zu Goethe, Münich, 1932 ; reprint Darmstadt, Wiss. Buchgesellschaft, 1968.


Weiser C. F., Shaftesbury und das deutsche Geistesleben, Leipzig, Teubner, 1916.

Wiedemann A., Geistesgeschichtlicher Querschnitt durch Justus Mäsers Erziehungsideen, orientiert an der Philosophie John Lockes und A. Shaftesburys, thèse, Erlangen, 1932.

Woldt I., Architektonik der Formen in Shaftesburys 'Second Characters', Münich, Deutscher Kunstverlag, 2004.

Wolff E., Shaftesbury und seine Bedeutung für die englische Literatur des 18 Jahrhunderts. Der Moralist und die literarische Form, Tübingen, Nimeyer, 1960.


Worden A. B., Edmund Ludlow : A Voyce from the Watch Tower, Londres, Offices of the Royal Historical Society, 1978.


Woynar C., Das Verhältnis der praktischen Philosophie Herbarts zu den englischen Moralphilosophen Shaftesbury, Hutcheson und Hume, mit bes. Berücksichtigung der ethischen Idee des Wohlwollens, Neutitschein, 1897.

Zanardi P., Filosofi e repubblicani alle origini dell'Illuminismo : Shaftesbury e il suocircolo, Padoue, Sapere, 2001.

Zani L., L'Etica di Lord Shaftesbury, Milan, Marzorati, 1954.

 

 

2. Articles

Albee E., "Shaftesbury's Relation to Utilitarianism", Mind, 8 (1896).
- "The relation of Shaftesbury und Hutcheson to Utilitarianism", Philosophical Review, 5 (1896), 24-35.

Alderman W. E., "The significance of Shaftesbury in English speculation", Publications of the Modern Language Association, 36 (1923), 175 sq.
- "The style of Shaftesbury", Modern Language Notes, 38 (1923), 209-215.
- "Bibliographical evidence of the vogue of Shaftesbury in the eighteenth-century", Transactions of the Wisconsin Adademy of Sciences, Arts, and Letters, 21 (1926), 57-70.

- "Shaftesbury and the doctrine of the moral sense in the eighteenth-century", Publications of the Modern Language Association, 46 (1931), 1087-1094.
- "Shaftesbury and the doctrine of benevolence in the eighteenth-century", Transactions of the Wisconsin Adademy of Sciences, Arts, and Letters, 26 (1931), 137-159.
- "Shaftesbury and the doctrine of optimism", Transactions of the Wisconsin Academy of Sciences, Arts, and Letters, 28 (1933), 297-305.
- "English editions of Shaftesbury's Characteristics", Papers of the Bibliographical Society of America, 61 (1967), 315-334.
- "Pope's Essay on Man and Shaftesbury's The Moralists", Papers of the Bibliographical Society of America, 67 1973), 131-140.

Aldridge A. O, "Shaftesbury and the test of truth", Publications of the Modern Language Association, 60 (1945), 129-156.

- "Lord Shaftesbury's literary theories", Philosophical Quarterly, 24 (1945), 45-64.
- "Shaftesbury's earliest critic", Modern Philology, 44 (1946), 10-22.
- "Henry Needler's knowledge of Shaftesbury", Modern Language Notes, 62 (1947), 264-267.

- "Franklin's 'Shaftesburian'Dialogues not Franklin's", American Literature, 21 (1949), 151-159.
- "Two versions of Shaftesbury's Inquiry Concerning virtue", The Huntington Library Quarterly, 13 (1949-1950), 207-214.
- "Shaftesbury, Christianity, and friendship", Anglican Theological Review, 3 (1950), 121-136.
- "Shaftesbury and the Deist Manifesto", Transactions of the American Philosophical Society, 41 (1951), 297-385.
- "Shaftesbury and Bolingbroke", Philological Quarterly, 31 (1952), 1-16.
- "Shaftesbury and the Classics", Gesellschaft, Kultur, Literatur: Rezeption und Originalität im Wachsen einer europäischen Literatur und Geistigkeit. Beiträge Luitpold Wallach gewidmet, éd. Karl Bosl, Stuttgart, 1975, 241-258.
- "Shaftesbury's rosicrucian ladies", Anglia, 103 (1985), 297-319.
- "Shaftesbury, rosicrucianism and links with Voltaire", Canadian review of comparative literature, Revue canadienne de littérature comparée, 23, 2 (1996), 393-402.

Anceschi L., "Shaftesbury, o un riscatto estetico della metafisica", L'estetica dell'empirismo inglese, vol. 1, Da Bacon a Shaftesbury, éd. L. Anceschi, Edizioni Alfa, Bologne, 1959.

Anselment R. A., "Socrates and the Clouds : Shaftesbury and a Socratic Tradition", Journal of the History of Ideas, 39 (1978), 171-182.


Apresian R. G., "Emotsional' nye mekhanizmy nravstvennosti" ["Les mécanismes émotionnels de la moralité"], Voprosy Filosofii, 5 (1981), 113-124.

Arnau P., "Shaftesbury: el problema del mal y la estética", Thémata (Séville), 12 (1994), 119-132.
- ["Sciences humaines et souci de soi : le comte de Shaftesbury, une approche foucaldienne"] [en espagnol], Concepciones y narrativas del yo, éd. J. V. Arregui, M. J. Dominguez Caneda, J. A. Garcia Gonzales, Thémata, 22 (1999).

Aronson J., "Shaftesbury on Locke", The American Political Science Review, 53 (1959), 1101-1104.


Arregui J. V., "La teologia de la belleza en Shaftesbury y Hutcheson", Thémata, 13 (1995), 11-35.

- "La téléologie de la nature chez Shaftesbury et Hutcheson", Shaftesbury. Philosophie et politesse, éd. F. Brugère et M. Malherbe, Paris, Champion, 2000, 187-211.

Arregui J. V. et Arnau P., "Shaftesbury: father or critic of modern aesthetics ?", British Journal of Aesthetics, 34, 4 (1994), 350-362.

Ascoli G., "L'affaire des prophètes français à Londres", Revue du Dix-huitième siècle, 1 et 2 (1916).


Assmann A., "Die Domestikation des Lesens. Drei historische Beispiele ", Lili. Zeitschrift für Literaturwissenschaft und Linguistik, 15, 57-58 (1985), 95-110.

Babolin A., "Morale e religione in Shaftesbury", Rivista di Filosofia Neo-scolastica, 76, 4 (1984), 560-568.

Bacharach A., "Shaftesbury und sein Einfluß auf das deutsche Geistesleben", Frankfurter Zeitung, 15/02/1913.

Bacvarov M. et Latev L., [publication de deux inédits de Ivan A. Georgov sur Shaftesbury et Toland, en russe]
, Filosofska Misal, 42, 1 (1986), 91-103.

Badelon F., "Entre satire et humour, Shaftesbury et le théâtre élisabethain", Revue de Métaphysique et de Morale, 2 (avril-juin 1999), 161-172.
- "Enthousiasme, fanatisme et mélancolie selon Shaftesbury", Shaftesbury. Philosophie et politesse, éd. F. Brugère
et M. Malherbe, Paris, Champion, 2000, 13-30.
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Ryan R. M., "Keats' Hymn to Pan: a debt to Shaftesbury?", Keats-Shelley Journal, 26 (1977), 31-34.

Sainsbury W. N., "Report on the Shaftesbury Papers", The Thirty-Third Annual Report of the Deputy Keeper of the Public Records, Appendix n° 3, Londres, 1872, 211-269.

Saint-Girons B., "Du caractère héroïque chez Shaftesbury et Vico : Hercule et le trouble de mémoire de Shaftesbury", Shaftesbury. Philosophie et politesse, éd. F. Brugère et M. Malherbe, Paris, Champion, 2000, 135-173.

Schlegel D. B., "Diderot as the transmitter of Shaftesbury's romanticism", Studies on Voltaire, 27 (1963), 1457-1478.
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Schmeider H., "Goethes Prosahymnus Die Natur", Archiv für das Studium der neueren Sprachen und Literatur, 120 (1908), 257-281.

Schulz F., "Der pseudogoethische Hymnus an die Natur", Internationale Forschungen zur deutschen Literaturgeschichte: Julius Petersen zum 60. Geburtstag, Leipzig, Quelle & Meyer, 1938, 79-100.

Scott-Taggart M. J., "Socratic Irony and self-deceit", Ratio, 14 (1972), 1-15.

Shepard J. B., "The significance of the cartouche in Shaftesbury's Characteristicks", English Language Notes, 13, s. 3 (1976), 80-184.

Sherman C., "In defence of the dialogue : Diderot, Shaftesbury, and Galiani", Romance Notes, 15 (1973), 268-273.

Schneewind J. B., "Natural law, skepticism, and methods of ethics"
, Journal of the History of Ideas, 52, 2 (1991), 289-308.

Schwaiger C., "Zur Frage nach den Quellen von Spaldings Bestimmung des Menschen : eine ungelästes Rästel der Aufklärungsforschung", Aufklärung, 11, 1 (1999), 7-20.

Seiffert H. W., "Zu einigen Fragen der Wieland-Rezeption und Wieland-Forschung...", Modern Language Notes, Baltimore, 99, 3 (1984), 425-436.

Simon I., "Shaftesbury and 18th-Century-Poetry", Revue des Langues Vivantes, 27 (1961), 200-215.

Simonutti L., "Shaftesbury e la Bibliothèque choisie",
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Smith E. P., "The Philosophy of Anthony, Third Earl of Shaftesbury", Essays in Intellectual History, Dedicated to James Harvey Robinson, New York London, Harper & Brothers, 1929, 21-40.

Solkin D., "ReWrighting Shaftesbury: the air pump and the limits of commercial humanism", Painting and the Politics of Culture. New Essays on British Art, 1700-1850, Oxford, Oxford UP, 1992, 73-99 ; repris dans Early Modern Conceptions of Property, Londres, Routledge, 1995, 234-253.

Solomon H. M., "Shaftesbury's Characteristics and the conclusion of Ode on a Grecian Urn", Keats-Shelley Journal, 24 (1975), 89-101.

Spranger E., "Shaftesbury und wir", Internationale Monatsschrift für Wissenschaft, Kunst und Technik, 11 (1917), 1477-1504.

Sprute J., "Der Begriff des Moral Sense bei Shaftesbury und Hutcheson", Kant-Studien, 1-4 (1980), 221-237.

Stenger G., "Diderot traducteur de Shaftesbury : éléments pour une lecture critique de l'Essai sur le mérite et la vertu", Shaftesbury. Philosophie et politesse, éd. F. Brugère et M. Malherbe, Paris, Champion, 2000, 213-226.

Steintrager J. A., "Perfectly inhuman : moral monstrosity in eighteenth-century discourse", Eighteenth-Century Life, 21, 2 (1997), 114-132.

Stolniz J., "On the origins of æsthetic disinterestedness", Journal of Æsthetics and Art Criticism, 20 (1961), 131-143.

- "On the significance of Lord Shaftesbury in modern æsthetic theory", Philosophical Quarterly, 11 (1961), 97-113.

Strube W., "Interesselosigkeit", Archiv für Begriffgeschichte, 23 (1979), 148-174.

Suderman J., "The foundation of moral belief: Shaftesbury to Smith"
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Sweetman J. E., "Shaftesbury's last commission", Journal of the Warburg and Courtauld Institutes, 19 (1956), 110-116.


Tagliabue G. M., "La nozione di 'gusto' nel secolo XVIII: Shaftesbury e Addison", Rivista di Estitica, 7 (1962), 198-228.

Tiffany E. A., "Shaftesbury as Stoic", Publications of the Modern Language Association, 38 (1923), 642-684.

Toole R., "Shaftesbury on God and his relationships to the world", International Studies in Philosophy, 8 (1976), 81-100.
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Townsend D., "Shaftesbury's æsthetic theory", Journal of Æsthetics and Art Criticism, 41, 2 (1982), 205-213.

- "From Shaftesbury to Kant : the development of the concept of æsthetic experience", Journal of the History of Ideas, 48 (1987), 287-305.

Trianosky G., "On the obligation to be virtuous : Shaftesbury and the question, why be moral ?", Journal of the History of Philosophy, 16 (1978), 289–300.

Tuveson E. L., "The origin of the moral sense", Huntington Library Quarterly, 11 (1947-1948), 241-259.

- "The importance of Shaftesbury", Journal of English Literary History, 20 (1953), 267-299.
- "Shaftesbury on the not so simple plan of human nature", Studies in English Literature, 1500-1900, 5 (1965), 403-434.
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Uehlein F., "Gestochene Kritik ", Wissenschaftsgeschichte zum Anfassen : von Frommann bis Holzboog, éd. G. Bien, E. Holzboog et T. Koch, Stuttgart, Fromann-Holzboog, 251-259.

Uphaus R. W., "Shaftesbury on art : the rhapsodic æsthetic", Journal of Æsthetics and Art Criticism, 27 (1969), 341-348.

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Voitle R., "Shaftesbury's moral sense", Studies in Philology, 52 (1955), 17-38.

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Walzel O., "Shaftesbury und das deutsche Geistesleben des 18. Jahrhunderts", Germanisch-Romanische Monatsschrift, 1 (1909), 416-437.

Weinsheimer J., "Shaftesbury in our time : the politics of wit and humor", The Eighteenth-Century, 36, 2 (1995), 178-188.


Wessely A., "The knowledge of an early eighteenth-century connoisseur: Shaftesbury and the fine arts", Acta Historia Artium Hung., 41 (1999-2000), 279-309.

Whitaker S. F., "Pierre Coste et Shaftesbury (avec une lettre inédite)", Revue de Littérature Comparée, 25 (1951), 241-253.
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White D. A., "The metaphysics of disinterestedness : Shaftesbury and Kant", Journal of Aesthetics and Art Criticism, 32 (1973-1974), 239-248.

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Wind E., "Shaftesbury as a patron of art", Journal of the Warburg and Courtauld Institutes, 2 (1938), 186-188.

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Wolf R. B., "Shaftesbury's 'signal' miracle in A Letter Concerning Enthusiasm", English Language Notes, 16 (1978), 21-25.
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- "The first two editions of Shaftesbury's Characteristics : corrigenda and addenda to Meyer's Limae Labor", Papers of the Bibliographical Society of America, 78 (1984), 349-359.
- "Shaftesbury's wit in a Letter Concerning Enthusiasm", Modern Philology, 86 (1988), 46-53.
- "Shaftesbury's just measure of irony", Studies in English Literature, 1500-1900, 33, 3(1993), 565-585.

Wolff E., "Die Synonymie bei Shaftesbury", Festschrift für Edgar Mertner, éd. B. Fabian et U. Suerbaum, Münich, Fink, 1968, 201-212.
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Woodfield R., "The freedom of Shaftesbury's classicism", British Journal of Aesthetics, 15 (1975),254-266.

Wright W. C., "Pierre Desmaizeaux, John Toland, and a pirated publication of Shaftesbury's A Letter Concerning Design", Notes and Queries, 219 (1974), 49-51.

Zanardi P., "Il terzo conte di Shaftesbury: Dalla melanconia all'entusiasmo", I castelli di Yale. Quaderni di filosofia, 2 (1997), 45-64.
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Ziertmann P., "Beiträge zur Kenntnis Shaftesburys", Archiv für Geschichte der Philosophie, 17, 4 (1904), 480-499.
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ouvrages articles liens

 

 

3. Liens / links


Voir aussi ma page Shaftesbury: Selected Bibliography (littérature primaire et sélection de littérature secondaire)